Moving mountains

“The man who removes a mountain begins by carrying away small stones.”

– Chinese proverb


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Origins of the name Beethoven
The Beethoven family tree can be traced back to the mid 13th century. The name appears in chronicles of Flemish cities, in parts of northern France, in Mechlin and Antwerp. Two possible theories of the origins of the name are: – van (the) Hof (Beet-Garden) – grower of Beets – after the Belgium town of Betouwe (“be” […]
Growth by dreams
We grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter’s evening. Some of us let these great dreams die, but others nourish and protect them, nurse them through bad days till they bring them to […]
Brahm’s introduction in Vienna
in 1862, Brahms called to see Julius Epstein, a professor at the Vienna Conservatory. “Joachim tells me – ha! – that you have written some really interesting music. Sent me your piano sonata in F minor to look over. Bring any new compositions with you?” he added, noticing Johanne’s portfolio. “I have two piano quartets […]
Strings
Cello and piano String ensemble
Following the crowd
“The man who follows the crowd will usually get no further than the crowd. The man who walks alone is likely to find himself in places no one has ever been before.” Alan Ashley-Pitt (Francis Phillip Wernig) Cited in: Eda LeShan (1973) The Wonderfujl Crisis of Middle Age.  New York: Warner Books, p. 304.
Super-Hooper-Dyne Lizzies
Speed (1)
Go to more crosswords
Haunted Spooks
Title: Haunted Spooks (silent film soundtrack) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score (47 pages) Background:     Written by: H. M. Walker     Starring: Harold Lloyd, Mildred Davis, Wallace Howe, Sammy Brooks, William Gillespie, Mark Jones, Gaylord Lloy, Sam Lufkin, Ernest Morrison, Dee Lampton          Directed by: Alfred J. Goulding & Hal Roach     Film released: […]
You cannot hope for substance
“You cannot set art off in a corner and hope for it to have vitality, reality, and substance.” – Charles Ives, American composer
Shaw on the cello
In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.