“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]

“My music is melodic.  After all, why add to the world’s problem’s with bad music.” Alexander Prior, composer. Source: Classic FM, December 2009, p.9

Franz Xaver Schnyder von Wartensee (1786-1868) was a composer who wanted lessons with Beethoven.  Beethoven would only look at his compositions. Schnyder often dined in the Mehlgrube, because he knew that Beethoven often went there at the same time in the evening. One lovely spring night Schnyder, on entering the restaurant, saw his friend Beethoven […]

Title: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: Concert band (Flt. 1 & 2, Cl. 1 & 2, Alt. Sax., Ten. Sax., Bar. Sax., Trpt 1 & 2, trb, tub., perc.) Product medium: PDF score and parts     Related products:     – Prayer of Thanksgiving to the […]

The public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle.  The largess of aristocratic patronage and the profits of publication were the composers’ rewards.  But with the middle of the seventeenth century […]

Title: Abstraction XVIIIComposer: Greg SmithInstrumentation: PianoProduct medium: PDF scoreRelated products: – Abstraction XVIII (mp3 audio) Sample:

Title: Abstraction Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:

British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]

People are mistaken thinking that the creative artist uses art to express what he feels at the very moment of experience. Joy and sorrow are feelings expressed retrospectively. Without any particular cause for rejoicing I can be immersed in a mood of happy creativity and, conversely, I can produce, when cheerful, a piece saturated in […]

Schumann once attended a masquerade during the carnival of 1830, in company with his friend Rosen, for the purpose of paying some attention to a pretty but otherwise insignificant girl.He knew that she would be present at the ball, and, as a pretext for approaching her, put a poem in his pocket.Fortune favored him: he […]