Paul Simon on music today

Paul Simon (of Simon and Garfunkel) on the future of the “album” concept:

I don’t think the album is going to disappear for several reasons … It’s not that people aren’t listening to albums.  They’re just doing it on shuffle.  What that does is it makes albums more eclectic and more interesting.  But if an artist is unique enough they should be able to hold your attention for the 40 or 50 minutes of an album.  There’s something about that length of time on our DNA. We like to hear it.

He also has a positive view on the future of music:

So many people are studying music in schools now and many of the schools have really good music departments.  It seems there is much, if not more, interest in music in this generation.  I don’t foresee that it will just become about the three minute pop song.  I think that’s appropriate for the 12, 13, 14 year olds, but kids outgrow that eventually.

Cited in: Iain Shedden, “Beautiful or What?”, The Weekend Australian, April 16 2011.

Posted

in

by

Greg

Tags:

, ,

Featured Content

Schnabel on recording
Having spent five days recording five Beethoven sonatas and two concertos, Schnabel wrote to his wife: This week was an ordeal, a torture chamber. “What does not kill me makes me stronger,” says Nietzsche. Hopefully (probably) this is true. I had no idea of how outrageous a process the recording on discs could be. Like […]
Beethoven’s letter
A letter written by composer Ludwig van Beethoven has emerged in Germany after being left in a will. In the six-page document of Beethoven’s scrawled corrections, he complains about his illness and a lack of money. Experts were already aware of the 1823 letter’s existence, but say it is of historic value. BBC News, 11 […]
Shedding light on what is invisible
When we create something, whether it’s a one-woman show, a video animation, a poem, a song, whatever—we’re taking what’s inside of us and stepping it out. Now it can be shown or heard. Now it can be experienced, transmitted. Now it can be shared. When it’s shared, parts of us that were once invisible, hidden, […]
Habit is stronger than willpower or inspiration
In writing, habit seems to be a stronger force than either willpower or inspiration. Consequently there must be some little quality of fierceness until the habit pattern of a certain number of words is established. There is no possibility, in me at least, of saying, “I’ll do it if I feel like it.” One never […]
Motion and art
“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time […]
A new take on the harpsichord sound
Harpsichordist  Jane Chapman performs both early music and Avante music, including using techniques to use distortion on the harpsichord! “Many early music people are interested in contemporary music, too, and many composers are also interested in early music instruments because they don’t have the baggage of the [classical and romantic periods]. Increasingly, younger generation composers […]
Bernstein on immersive performance
It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]
Borge on Borodin
"My favorite Russian composer is Borodin, mainly because he had the shortest name. Except for Cui, who was just showing off. […] Cui wrote an opera called A Feast in Time of Plague. Shows you what kind of guy HE was." (Victor Borge, My Favorite Intermissions, New York, 1971, p133)  
The decentralization (or de-hallification) of classical music
For generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]
Problem solving with creativity
“Creativity can solve almost any problem — the creative act, the defeat of habit by originality, overcomes everything.” — George Lois, American art director, designer and author. G. Lois, Damn good advice (for people with talent!): how to unleash your creative potential by America’s master communicator, London: Phaidon Press, 2012.