If Heaven has bestowed on you a fine imagination, you will often be seated at your piano in solitary hours, as if attached to it; you will desire to express the feelings of your heart in harmony, and the more clouded the sphere of harmony may perhaps be to you, the more mysteriously you will feel as if drawn into magic circles. In youth these may be your happiest hours. Beware, however, of abandoning yourself too often to the influence of a talent that induces you to lavish powers and time, as it were, upon phantoms. Mastery over the forms of composition and a clear expression of your ideas can only be attained by constant writing. Write, therefore, more than you improvise.
Robert Schumann (translated by Henry Hugo Pierson), Advice to Young Musicains [Musikalische Haus- und Lebens-Regeln]. New York: J. Schuberth & Co. https://www.gutenberg.org/files/28219/28219-h/28219-h.htm, accessed 29 August
– Robert Schumann
Write over improvise
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Air III
Title: Air III Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
Let My Tongue Be Silenced – Psalm 136 (137)Title: Let my tongue be silenced Text: Psalm 136 (137) Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF score and part Sample:
Arthur Rubinstein’s youthful practice habitsInterviewer: So many children hate to take music lessons. Can you understand this? Rubinstein: Oh, yes, I was one of them. You see, music lessons mean always this horrible dictatorial attitude of the professors. They slap four fingers and aarh; they shout at you: “Can’t you learn that? You must practice scales!” I mean, it […]
The cycle of masterpieces“Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.” – Oscar Wilde, in a letter to the editor of the Pall Mall Gazette, 22 September 1894
A musical use for trashFavio Chávez, a technician at a Paraguayan landfill site, formed the the Cateura Orchestra of Recycled Instruments: an orchestra comprising of the children of landfill works. The orchestra was designed to encourage musical education in an low socio-economic area. A violin would hold more value than a landfill worker’s house. However, by creating instruments out […]
Emerging from suffering“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.” – Kahlil Gibran, Broken Wings
Forgive (Tchaikovsky)Title: Forgive ( Прости!) (opus 60, no. 11] Composer: Pytor Il'yich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:
The essence of musicI believe that there is no one the world so insensitive, so leaden, that he is not moved by song. Theophrastus rightly said in the second book concerning music that the essence of music is the movement of the soul, driving away the evils and troubles that have invaded it. If music did not have […]
Trust yourselfAll this, my friend, will time provide, And of itself, itself will give; Soon as you in yourself confide, You know the way to live! — Mephistopheles to Faust Johann Wolfgang von Goethe, Faust: A Tragedy, translated by Lewis Filmore, (London: William Smith, 1847), p. 79. First published in the German as Faust: eine Tragödie, […]
Saint-Saëns on the art of musicThe artist who does not feel completely satisfied by elegant lines, by harmonious colours, and by a beautiful succession of chords does not understand the art of music. — Camille Saint-Saëns Cited in Milton Cross David Ewan, Encyclopedia of Great Composers and Their Music, volume 2. Double Day, 1969, p.819.