Ravel’s fine attributes as a composer

On his tour to America in 1928, Ravel was highly praised by music critics.  In the New York Times, Olin Downeswrote:

Never to have composed in undue haste; never to have offered the public a piece of unfinished work; to have experienced life as an observant and keenly interested beholder, and to have fashioned certain of its elements into exquisite shapes of art that embody the essence of certain French traditions, is a goal worth gaining.  Mr Ravel has pursued his way as an artist quietly and very well.  He has disdained superficial or meretricious effects.  He has been his own most unsparing critic.

Cited in: James, Burnett (1983) Ravel: His Life and Times.  New York: Midas Books, p.119.


Posted

in

by


Featured Content

Performance anxiety
“There is no anxiety in the present. Anxiety is either in the past, worrying about what was just played, or in the future, worrying about what you are about to play. Nothing can be done about either! Don’t judge or evaluate while you’re performing.” — Charles Schlueter, principal trumpet with the Boston Symphony. Cited in: […]
Not just a one hit wonder … but there was an audience favorite
Rachmaninoff’s Prelude in C-sharp minor proved very popular with the public. At times, it was programmed “by request” (1), and if not was freqently expected as an encore. In 1922, Rachmaninoff performed in the Queens Hall (London). A critic in the Musical Times described the event: It was clear that the bulk of those who filled Queen’s Hall […]
It’s the page turner’s fault
Several years ago, Mr. Kalichstein hired a young music student who kept reaching across the score to turn pages from the bottom right corner, in the process obscuring several measures of the concerto. “Take it from the top!” the frustrated Mr. Kalichstein finally hissed; reflexively, the page turner flipped the score back to the beginning. […]
Pavel Kolesnikov on historical instruments
For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]
Lord, Let Your Mercy Be On Us – Psalm 32 (33)
Title: Lord, let your mercy be on us Text: Psalm 32 (33): 4-5, 18-19, 20-22. R. v.22 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Bach’s preferred instrument
Johann Sebastian Bach’s preferred to play the viola when conducting an orchestra. Source: Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 216.
Bach’s method of keyboard teaching
The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]
I live in a world of my imagination
I confess that I live only in my surroundings and in myself. I can conceive of no greater pleasure than sitting in my chair at this desk and looking at the walls around me day by day and night after night. In these pictures I do not see what you see; in the trees outside […]
Adequate musicians
How do you rate your music? We’re not good musicians.  Just adequate. Then why are you so popular? Maybe people like adequate music. – Interviewer and the Beatles. Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 203.
The path of an artist
“A good traveler has no fixed plans and is not intent upon arriving. A good artist lets his intuition lead him wherever it wants.” – Lao Tzuo, Chinese philosopher. Cited at: QuotationsBook