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Featured Content

Bernstein on immersive performance
It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]
Environmental soundscapes
In the 1960s, the Canadian composer R. Murray Schafer founded the World Soundscape Project at Simon Fraser University.  The research group explored the sonic environment.  Later projects would include  The Vancouver Soundscapes of Canada (1973), European Sound Diary, and Five Village Soundscapes.  In his book on the subject, The Tuning of the World, Schafer wrote […]
Performers
The excitement of all possibilities
“Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com  
Speed (1)
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Ravel’s fine attributes as a composer
On his tour to America in 1928, Ravel was highly praised by music critics.  In the New York Times, Olin Downeswrote: Never to have composed in undue haste; never to have offered the public a piece of unfinished work; to have experienced life as an observant and keenly interested beholder, and to have fashioned certain […]
Guiding concepts of artistic creation
“…few of us talk and write about the bigger picture of how our musical and tactical efforts are guided by three distinctly non-musical concepts that don’t get talked and written about often or openly enough: positive vision, abundant thinking, and a sense of self-worth. Thanks to technology, we now live in a world of vast […]
Style
Stokowski and singers
Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis at the time, refused to audition, noting how “impersonal and impossible Stokowski was. Stokowski had filled all the roles, with the exception of that the Princess. “Is it possible” Stokowski asked Sylvan [Sylvan Lenin, a […]
Performance practice issues in Russian Piano Music
ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which […]