Eighteenth century aestheticsMozart was not at all a purely instinctive, intuitive artist. His remarks to the effect that he “loved to plan works, study, and meditate” and that “he preferred to work slowly and with deliberation” [demonstrate this] … On one level, Mozart’s musical aesthetic is informed by three fundamental and closely related principles that can be […]
Motion and art“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time […]
The inexpressible depth of musicThe inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from […]
Anton Arensky: Trio in D minor for violin, cello, and piano (op. 32)I. Allegro moderato II. Scherzo: Allegro molto-Meno Mosso-Allegro molto III. Elegia: Adagio IV: Finale: Allegro non troppo Accounts of Arensky are of a juxtaposed nature. On the personal level, he was described by Tchaikovsky as incredibly nervous, and he was never known to have a romantic attachment. He was considered “the most delicate person by […]
Beethoven’s contestIn 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt. It was agreed that Prince Lobkowitz would sponsor Steibelt and Prince Lichnowsky sponsor Beethoven, the improvisation contest to take place in Lobkowitz’s palace. As the challenger, Steibelt was to play first. He walked to the piano, tossing a piece of his own […]
The Lord Has Revealed To All Nations His Saving Power (Setting ii) – Psalm 97 (98)Title: The Lord has revealed to all nations his saving power (Setting ii) Text: Psalm 97 (98): 1-4. R. cf. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
It is cruel that music should be so beautiful“It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness and of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature, and everlasting beauty of monotony.” Benjamin Britten
The making of heroes and cowards“Great occasions do not make heroes or cowards; they simply unveil them to the eyes of men.” – Brooke Westcott, Bishop of Durham, scholar, theologian Cited at Quotations Book
Music with no boundariesMusic can imply the infinite if enough things depart from the norm far enough. Strange “abnormal” events can lead to the feeling that anything can happen, and you have a music with no boundaries. – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 13 May 2013.
Rising after we fall“Our greatest glory is, not in never falling, but in rising every time we fall.” — Oliver Goldsmith (1762) The citizen of the world: or, letters from a Chinese philosopher, residing in London, to his friends in the east, Dublin: printed for George and Alex. Ewing, 1762, letter 7, p. 30. Digitally archived at https://quod.lib.umich.edu/e/ecco/004776950.0001.001/1:9?rgn=div1;view=fulltext, […]