Title: Abstraction XIII Composer: Greg Smith Performer: Greg Smith Product medium: MP3     Related products:     – Abstraction XIII (PDF score) Sample:

“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio and called Sarabande, he had a fence built around it with all the notes of the fifth sarabande crafted on the metalwork.  He gleefully points out that the studio’s address is 720, his Montagnana cello […]

Composer: Joe HisaishiArranger: Greg SmithTitle: “Sanctuary”, from The Boy and the HeronInstrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.

“It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.” —Henri Frederic Amiel.  Swiss philosopher, poet & critic. H. F. Amiel, Amiel’s Journal, trans. H. Ward, London, Macmillan […]

Title: The King’s Entrance Composer: Greg Smith Instrumentation: Piano duet Level: Piano I –  1 (five finger position) Product medium: PDF score and MP3 accompaniment track (Audio sample of accompaniment track only)

Vaughan Williams had asked Holst about his experience of having an agent. Holst, who was at Harvard University at the time, replied: I’m very glad I’ve made use of Duncan McKenzie (OUP) as an agent. He has been really helpful and I hope you’ll at least consider using him. The alternative would be to print […]

“Polls of various musical personalities (but not me) in the Times about who’s underrated and who’s overrated.  Naturally Vivaldi is deemed overrated in the light of Bach.  Since everyone knows he’s overrated.  I’d have said he’s the most underrated of overrated composers.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.82. […]

Title: The just will live in the presence of the Lord (Setting II) Text: Psalm 14 (15):2-5 (setting ii) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]

The Belgian violinist Eugène Yasÿe frightened Busoni by playing the Bach Chaconne and Paganini Caprices on a kit violin in the darkened passages of a hotel.  ”It was like the ghost of Paganini, purposely exaggerating all the worst mannerisms of the typical virtuoso, and Busoni could never forget the sight of Ysaÿe’s vast bulk and […]