Having spent five days recording five Beethoven sonatas and two concertos, Schnabel wrote to his wife: This week was an ordeal, a torture chamber. “What does not kill me makes me stronger,” says Nietzsche. Hopefully (probably) this is true. I had no idea of how outrageous a process the recording on discs could be. Like […]

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This culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener […]

Title: Air III Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)

Language is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.

I need time to be idle in order to experience and romance my muse, Music, my lifelong partner. In some ways, when I think about the enforced thirty minute practice sessions and much-resented violin lessons during Friday recess which introduced us during my early childhood, our story feels a bit like the plot of a […]

“You know I’m a useless kind of man apart from my music.” – Tchaikovsky Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music.  London: Cassell & Company, p.179.

Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahms’s Intermezzi and Beethoven’s ‘Waldstein’ Sonata. His tone is a rule dry in anything above a piano, but a sudden touch of the pedal […]