Listening to music should always be an active process, and those who attend – pregnant verb – concerts, who listen, who respond, who treasure what they hear there, are musicians. They are the ones who do not let music wash over them like a bubble bath but who actively swim in the water. When vibrations in the air create vibrations in your soul, you’re a member of this club.
Stephen Hough (2019) Rough Ideas: Reflections on Music and More. London: Faber & Faber, p. 28.
Active listening
by
Tags:
Featured Content
Silent Steps – Rabindranath Tagore
Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:
Lord, Heal My Soul – Psalm 40 (41)TITLE: Lord, Heal My Soul TEXT: Psalm 40 (41): 2-5, 13-14. R. v.5 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano SAMPLE:
Can you teach resourcefulnessYoung musicians will need resourcefulness to make their way in the world. Music “jobs” in the future are likely to be less attached to institutions (many of which are troubled in one way or another), entrepreneurial, and varied beyond a straight performance career to include all manner of teaching, coaching, and work we could loosely […]
The silent bass clarinetDuring a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.” When he expressed his […]
The Brainy Baboon“There once was a brainy baboon who always breathed down a bassoon for he said, It appears that in billions of years I shall certainly hit on a tune.” -Ezra Pound – American poet, musician and critic Cited at: QuotationsBook
Convey to others what we areThere is no insurmountable solitude. All paths lead to the same goal: to convey to others what we are. And we must pass through solitude and difficulty, isolation and silence in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song – but in this […]
The line and the harmonyPhrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be. — Simon Tedeschi S. Tedeschi, Fugitive, […]
Composing for elephantsIgor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]
Dmitri Shostakovich: Piano Trio No. 2, Op. 67I. Andante-Moderato II. Allegro non troppo III. Largo IV. Allegretto Having recently finished his Eighth Symphony, Shostakovich stated work on his second Piano Trio in late 1943: Chamber music demands of a composer the most impeccable technique and depth of thought. I don’t think I will be wrong if I say that composers sometimes hide […]
The importance of melodyI have never questioned the importance of melody. I love melody, and I regard it as the most important element in music. I have worked on the improvement of its quality in my compositions for many years. To find a melody instantly understandable even to the uninitiated listener, and at the same time an original […]