The experience of composition

“I am not suited to ‘writing music’. All has to be experienced.”

-Jean Sibelius

Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.


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1.2: The Fundamental Vibration of Music
1 1 1   For Pythagoras (c. 570 BCE – c. 495 BCE), the ancient Greek philosopher and mathematician, numbers were not merely a mathematical phenomena, but were representative all levels of existence, from the individual, to society, to the universe as a whole. In Metaphysica (Metaphysics), Aristotle wrote: Pythagoreans applied themselves to mathematics, and […]
A bewitched recording
Early phonograph recordings were a little rough.  In 1889, pianist Hans von Bülow was asked to play into a phonograph in America: After playing upon a pianoforte, from which issued sounds compared to the soft and dreamy gurgle of a brook, the far-off sighign of the night wind and the roar of the cataract, he […]
Don’t wish me luck
“From here on out, I declare that no one ever wish me again to ‘break a leg’”. Joyce DiDonato, American mezzo soprano, shortly after having broken a leg on stage in a production of The Barber of Serville at the Royal Opera House. DiDonato insisted on continuing the performance in a wheel chair. Source: Kirkup, […]
Spontaneity and art
Alexander Gow, musician in the band Oh Mercy on spontaneity of artistic creation: [Spontaneity is] when art is expression, and that’s what I’m interested in. If, like you said, there’s a spontaneity to it and it’s an extension of a certain kind of moment or feeling, and if you’re clever enough to express that through […]
Abstraction VIII
Title: Abstraction VIII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Tales from the Carreck of Fergus McGee
Title: Tales from the Carreck of Fergus McGee (I. Lament; II: Gigue) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score
Karajan and direction
Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
The Queen Stands at Your Right Hand – Psalm 64 (65)
Title: The Queen Stands At Your Right Hand Text: Psalm 44 (45): 10-12. 16 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part     Related products:     – The Queen Stands At Your Right Hand – Piano solo (mp3 recording)     – The Queen Stands At Your Right Hand – Piano (score) Sample:
People must hear me
“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.” […]
A mystery instrument created
Mozart’s Magic Flute uses a glass harmonica or keyed glockenspiel to represent a set of magic bells. “Mozart’s original score for the 1791 opera The Magic Flute called for a glass harmonica or keyed glockenspiel to represent a set of magic bells. The instruments were obscure even in Mozart’s day but more than 200 years after his […]