For me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human […]

“I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)

Title: The Stars Looked Tenderly Upon Us (Нам звезды кроткие сияли), op. 60, no.12 Composer: Pytor Il'yrich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:

John Holmes “reiterates that only with a large group can you get a truly soft sound. Sure, a solo fiddle can hold its own against a hundred fiddles: a hundred fiddles are never a hundred times louder than a solo at the same dynamic, since there’s no such animal as “a same dynamic,” or even […]

“The English may not like music, but they absolutely love the noise it makes.” – Sir Thomas Beecham Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 198.

“Like climbing an infinite stairway, one step at a time.” —Pavel Kolesnikov, working on Bach’s Goldberg Variations. Jeal, Erica, “Pavel Kolesnikov, the pianist making ‘a palace of sound built by your own imagination’”, The Guardian, 9 September 2021, https://www.theguardian.com/music/2021/sep/09/pavel-kolesnikov-the-pianist-making-a-palace-of-sound-built-by-your-own-imagination, accessed 11 September 2021.

“You musicians, you poets, prose-writers, actors, pianists, conductors, whether of third or second or even first rank, you do not have the right to meddle with a Shakespeare or a Beethoven, in order to bestow on them the blessings of your knowledge and taste.” – Hector Berlioz, on tampering with fine creations (in this case, […]

The composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel. — George Gershwin Isaac Goldberg. Tin Pan Alley. New […]

There was soon to be no excuse for not practising in the chill of the winter. This excerpt is from The Musical Times, April 1869: WARMED PIANOS (G. Price’s Patent) – These Instruments invite playing in Winter, when the coldness of the keys of all others makes it unnecessarily uncomfortable, if not painful, to many, […]

From pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]