I dream …

“I dream, therefore I exist.”

—August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)


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Intermezzo, op. 118, no. 2 (Brahms)
Title: Intermezzo, op. 118, no. 2Composer: Johannes BrahmsArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part  
It’s two-four … It’s three-four
Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]
The James Bond theme
John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]
The musician’s contribution to the world
“As musicians, we are already doing something for the world … We make it more flowing? … Through music”. Pianist Lang Lang Shirley Apthorp, “Piano Man”, The Australian, May 14 2011.
Theme from The Office
The theme to the comedy series The Office is based on the 1967 song “Handbags and Gladrags” (written by Mike d’Abo). It was arranged by Big George in 2000.
Easter Prayer – St. Gregory the Great
Title: Easter Prayer Text: St. Gregory the Great Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and parts SAMPLES:
God Mounts His Throne (setting ii) – Psalm 46 (47)
Title: God mounts his throne (Setting II) Text: Psalm 46 (47): 2-3, 6-7, 8-9 Composer: Greg Smith Instrumentation: SATB and organ Related products: – God mounts his throne (Setting II) – SATB, brass, and organ Product medium: PDF score and part SAMPLE:
Boyd Neel on Vaughan William’s Fantasia on a Theme of Thomas Tallis
Boyd Neel was the first conductor to record Vaughan William’s Fantasia on a Theme of Thomas Tallis in 1935. He wrote: I often feel that this wonderful work is perhaps the greatest of all achievements in string orchestral composition. Boyd Neel (1986) The Story of an Orchestra. London: Vox Mundi, p.22. Cited in: Holmes, John […]
Piotr Anderszewski on interpretation
To me it’s all about how you read and translate the music you play: the most important thing is to reach the point where you feel you understand what happened in the composer’s mind before he actually wrote it. Musical notation is a very sophisticated yet imperfect system; it was the only way for the […]
Art is a crucial, dangerous operation
If a man teaches composition in a university, how can he not be a composer? He has worked hard, learned his craft. Ergo, he is a composer. A professional. Like a doctor. But there is that doctor who opens you up, does exactly the right thing, closes you up—and you die. He failed to take […]