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The here and now
“It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.” – John Bradshaw (1992) Creating Love: The Next Great Stage of Growth. United States: Bantam Books, p.127.
How to win over an orchestraHaydn was in London in 1791 when he performed in a concert led by Johann Salomon (a violinist/composer). Salomon played the first violin and led the orchestra, and Haydn sat at the harpsichord, keeping the band together by an occasional chord or two, as the practice then was. Great composers have not always been […]
The source of inspirationFor me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human […]
Up close and personal with Glenn GouldA film has been made of the personal side of Canadian pianist Glenn Gould: During his lifetime Gould was often portrayed less as a real person than a collection of tics — perhaps even more so in the many books and films about him that have been issued since his death. At times he has […]
Bernstein’s response to violenceThis will be our response to violence To make music more intensely, more beautifully, more devotedly than ever before. – Leonard Bernstein.
Playing by the mood of the audienceRachmaninoff sent fellow composer/pianist Medtner his Corelli Variations. He wrote: I played them here about fifteen times, but of these fifteen performances, only one was good. The others were sloppy. I can't play my own compositions! And it's so boring! Not once have I played these all in continuity. I was guided by the coughing […]
The necessity of the serial methodBoulez declares: “Any composer of our time who has not felt the necessity of the serial method is worthless.” Omit the word “not,” and I agree. Ned Rorem (2000) Lies: A Diary 1986-1999. Cambridge: MA: Da Capo Press, p.69.
Musicians’ response to violenceThis will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before. — Leonard Bernstein, 25 November 1963 Christopher Buchenholz, “An Artist’s Response to Violence”, Leonard Bernard Office, https://leonardbernstein.com/about/humanitarian/an-artists-response-to-violence. Accessed 18 March 2022.
How piano wires have changed throughout historyWhile piano wire has changed over the centuries from iron to steel of varying qualities, researchers were surprised to find that the sound produced by the instruments’ wires has remained largely unchanged. “I thought as the wire evolved — as the tension evolved — harmonicity would also change over time,” Purdue University physics professor Nicholas […]
The effect of audience reception on Stravinsky’s compositional processStravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow […]
