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Language at its most powerful
Language is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.
Lord, Heal My Soul – Psalm 40 (41)
TITLE: Lord, Heal My Soul TEXT: Psalm 40 (41): 2-5, 13-14. R. v.5 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano SAMPLE:  
How not to get an audience
Satie’s ballet Relâche (1924) had trouble pulling a crowd: the title translates as “this performances is cancelled”. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.
Brass ensemble
Paul Simon on music today
Paul Simon (of Simon and Garfunkel) on the future of the “album” concept: I don’t think the album is going to disappear for several reasons … It’s not that people aren’t listening to albums.  They’re just doing it on shuffle.  What that does is it makes albums more eclectic and more interesting.  But if an […]
Sondheim on audiences
“I do think audiences become more sophisticated. You try something out on them and they say, “Ugh”. You try it a second time and they say, “Oh”. You try it a third time and they say, “Ooh”. You try it a fourth time and they say, “Oh, that’s awfully old hat.”’ He laughs. ‘That’s the […]
Love Came Down At Christmas (Rossetti)
Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part     Related products:     – Love came down at Christmas – Piano solo (PDF score)     – Love came down at Christmas – Piano solo (MP3) hase_link id=”1674″ text=”Purchase” style=”button” color=”blue”] Samples:
Musing by Moonlight
Title: Musing by Moonlight Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level I (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
Schiff on Schumann
"I know of no work by Schumann that is not wonderful and inspiring.  One must leave every note just as he wrote it and experiment in order to find the correct balance and equilibrium.  With Schumann there is always this burning inventiveness, this unbelievable inspiration." – András Schiff.  Cited in Julian Haylock ""The Music of […]
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