A letter written by composer Ludwig van Beethoven has emerged in Germany after being left in a will. In the six-page document of Beethoven’s scrawled corrections, he complains about his illness and a lack of money. Experts were already aware of the 1823 letter’s existence, but say it is of historic value. BBC News, 11 […]

Ravel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard composers (e.g., Couperin). Stravinsky once described Ravel as a “Swiss watchmaker”, due to Ravel’s attention to detail. Ravel wrote: “I never put down a work until I have made absolutely certain that there is nothing […]

Sometimes, I’ll work through it, and sometimes, you know, you might have to make a couple of test bottles or test wines, and it helps you get closer.  But if I don’t stop, I might get on the machine here and make five tracks, but I know that they’re not really worth anything.  I’m just […]

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“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.” […]

“The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?” – Stephen Sondheim, composer. Cited at: QuotationsBook

Despite my respect for Saint-Saëns’ age, what he says about Chopin’s pedalling isn’t entirely true. I have very clear memories of what Mme Mauté de Fleurville told me. He (Chopin) recommended practising without pedal and, in performance, not holding it on except in very rare instances. It was the same way of turning the pedal […]

Johannes Brahms and the violinist Eduard Remenyi had been concertizing to great success in Cello and Lüneberg.  By this time the two musicians were so elated over their success that they decided to try a concert in the city of Hildesheim entirely on their own.  They had no one there to herald their coming, write […]

“There was a time, not so long ago, that Klaus Heymann was accused of trying to destroy the classical music industry. That was around the same time that the world realized that Naxos, Heymann’s budget-record label, was not just another series of CDs in the bargain bin. At first, nobody really knew what to make […]

Tchaikovsky was an enthusiastic student at the St. Petersberg Conservatoire.  Anton Rubinstein asked Tchaikvosky to write a series of contrapuntal variations on a given theme.  "I expected that he would present me with about a dozen.  But Tchaikovsky turned up the next class day with more than two hundred!" Cited in: Hanson, Lawrence and Elisabeth […]