The land knows of its own beauty

What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.”

– Kazuo Ishiguro


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A carriage of flowers for Tchaikovsky
Tchaikovsky’s favourite flower was lilies of the valley.  The local musical society at Tiflis was extremely enthusiastic to have the presence of Tchaikovsky at a gala concert of his works at the Opera House: Ippolitov-Ivanov had thought of everything, even finding out by devious means what his favourite flower was.  This flower did not grow […]
Stokowski playing Bach on the organ
Stewart Warkov, assistant manager of the Symphony of The Air in 1961 described Stokowski playing Bach on the organ: Stokowski played Bach on the organ for me, each time one of the great pieces he had arranged. The sound, the phrasing, and the registration, the ritards and the accelerandos, gave me the impression of hearing […]
Stokowski rebukes
The conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice.  On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.”  To the first violist, […]
Comfort in the score of Saul
In 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over.  He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]
The experience of composition
“I am not suited to ‘writing music’. All has to be experienced.” -Jean Sibelius Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.
Emerging from suffering
“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.” – Kahlil Gibran, Broken Wings
Lord, I Love Your Commands – Psalm 118 (119)
Title: Lord, I love your commands Text: Psalm 118 (119): 57, 75, 76-77, 127-128, 129-130 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Music and identity
“The more anonymous music is, the less likely people will be to feel attached it and to feel the need to support it. But when someone knows who you are, when you’re not just some disembodied vibrations in the air, they’re far more likely to stand behind you.” Isaac Schankler. “Beyond Sound and Science: Musicians, […]
The technique of conducting
“Technique is communication: the two words are synonymous in conductors.” – Leonard Bernstein, conductor, composer and pianist. Cited at QuotationsBook.  
A little ahead … or a little behind
Samuel Sebastian Wesley received great reviews for his conding at Gloucester’s annual Three Choir Festivals in 1865. An critic in The Musical Times wrote in the October issue: We have said nothing of the orchestra during these performances, for in truth the perfect manner in which the whole of the instrumental portions of the works […]