“The traditional sense of proportion is a hang-up. The usual Mozartean concept of how long an idea lasts becomes too predictable. Some of the composers who talk the most about avoiding predictability are the ones most victimized by this predictable traditional sense of proportion.” – Morton Feldman, American composer. Cited in: Tom Johnson, Remembrance, September […]

Mozart described the importance of good operatic texts in a letter regarding The Abduction from the Seraglio (Die Entführung aus dem Serail) in a letter to his father in 1781: …the Poesie is totally in tune with the character if this stupid, coarse, and malicious Osmin [the servant character] – and I am well aware […]

The violinist Ivan Galamian describes the musician’s quest for a goal greater than mere technical accomplishment: A complete technique .. implies the ability to do justice, with unfailing reliability and control, to each and every demand of the most refined musical imagination.  It enables the performer, when he has formed an ideal concept of how […]

Leonard Bernstein and Mildred Spiegel attended the Boston Symphony Orchestra season in 1933. They sat, she remembers, in the second balcony “under one of the male Greek nude statues.” One evening, during a standing ovation for the orchestra’s music director, Serge Koussevitzky, Lenny “just sat there” clapping very softly. “What’s the matter,” I asked, “didn’t […]

“The Last Master of resounding song, the tuneful heir of Bach and Handel, Mozart & Haydn’s immortal fame is now no more. The harp is hushed. He was an artist – and who shall arise to stand beside him? He was an artist – thus he was, thus he died, and thus he will live […]

It is virtuosity itself that I want to defend. It is the source of the picturesque in music, it gives the artist wings with whose help he escapes platitudes and the everyday. The conquered difficulty is in itself a beautiful thing. Theódphile Gautier, in Émaux et camées, considered this issue in immortal verses. . . […]

Beethoven on the development of the piano as an instrument in its own right: There is no doubt that so far as the manner of playing it is concerned, the pianoforte is still the least studied and developed of all instruments; often one thinks that one is merely listening to a harp.  And I am […]

Title: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:

Title: Abstraction VI Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:

“There’s a phrase I’ve often heard from audience members at popular musicals (but, oddly, never anywhere else): the show, they’ll say, “really took me out of myself”.  They are saying something basic and profound about the ecstasy of art, the act of being taken out of one’s normal state to a different level of being.  […]