Quasi Dance II

Title: Quasi Dance II
Composer: Greg Smith
Instrumentation: Cello and piano
Product medium: PDF score and part

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Schiff on Schumann
"I know of no work by Schumann that is not wonderful and inspiring.  One must leave every note just as he wrote it and experiment in order to find the correct balance and equilibrium.  With Schumann there is always this burning inventiveness, this unbelievable inspiration." – András Schiff.  Cited in Julian Haylock ""The Music of […]
An artist’s job is not for small talk
Nora Guthrie, Woody's daughter, once told me a story about a reception she was at where Bob Dylan was in attendance. The business people there were quietly commenting on how unsociable Dylan seemed to them, not what they imagined an encounter with Dylan would be like. When that observation about Dylan's behavior and disposition were […]
Vaughan Williams on sense of musical citizenship
Vaughan Williams wrote a series of articles for the Royal College of Music magazine entitled “Who Wants the English Composer?”. In these, he expresses his advocacy for an exploration of the English musical style: We English composers are always saying, “Here are Wagner, Brahms, Grieg, Tchaikovsky, what fine fellows they are, let us try and […]
Abstraction XIV
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Bernstein on composing
“There is something very satisfying about composing…you are letting yourself go, you write in a kind of trance, feeling you are doing very well. The next day you are quite capable of seeing that it wasn’t all that good, but that doesn’t matter so much.” Leonard Bernstein, 1971 Cited at: Leonard Bernstein (@LennyBernstein) “There’s something […]
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Gershwin and Ravel
Ravel, touring America in 1928, was approached by George Gershwin for composition lessons.  Ravel refused, stating “you would only lose your own spontaneity and end up by writing bad Ravel!” Cited in:  James, Burnett (1983) Ravel: His Life and Times.  New York: Midas Books, p.120
Julius Asal on interpretation
On the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]
The Lord Comes to Rule the Earth With Justice – Psalm 97 (98)
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Jan Lisiecki on interpretation
My approach is to sit with the score and make my decisions about what Andante means or what piano means in a certain context; often you go back to recordings and find that nobody’s ever really played it that way. You ask yourself ‘Why is that? Did I misread or misinterpret something? Or is this […]