I need time to be idle in order to experience and romance my muse, Music, my lifelong partner. In some ways, when I think about the enforced thirty minute practice sessions and much-resented violin lessons during Friday recess which introduced us during my early childhood, our story feels a bit like the plot of a romantic comedy in which the protagonists express disdain for each other at first, only to confess an epic love for each other by the end of the story. Music kept me alive as a lonely and depressed pre-teen feeling his other-ness come into sharp relief through my middle and high school years. It has carried me to some of my most joyful experiences in life, facilitated almost all of my most-treasured friendships and romances, and comforted me during my darkest moments. Stealing moments to reconnect with it is the least it deserves, and reinvigorates me and my sense of wonder in untold ways. Every challenge and bump I encounter on this pathway of a musical life (even pandemics) are not catastrophic endings, they are simply a bit of a tease. It’s my muse playing coy, reminding me of the importance of our relationship, and simply inviting me to lean in harder, with more devotion, and to continue to fill my life with joyful kisses.
Nicholas Phan, “Eternity”, 4 August 2020, http://nicholas-phan.com/grecchinois/2020/eternity, accessed 27 August 2020.
Relationship with the muse
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A new overture – fast
Beethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]
Warmed pianosThere was soon to be no excuse for not practising in the chill of the winter. This excerpt is from The Musical Times, April 1869: WARMED PIANOS (G. Price’s Patent) – These Instruments invite playing in Winter, when the coldness of the keys of all others makes it unnecessarily uncomfortable, if not painful, to many, […]
Baudelaire on inspiration“Inspiration is merely the reward for working every day!” – Charles Baudelaire (French poet). According to Roland-Manuel, Ravel would often recite this phrase. Source: Nichols, Roger (1987) Ravel Remembered. London: Faber & Faber, p. 143.
Communicating one’s dreams“Whoever communicates to his brothers in suffering the secret splendour of his dreams acts upon the surrounding society in the manner of a solvent and makes all those who understand him, often without their realisations, outlaws and rebels.” Pierre Quillard (symbolist poet), 1892.
Bless the Lord, My Soul – Psalm 103 (104)Title: Bless the Lord, my soul Text: Psalm 103 (104): 1-2, 3-4, 24-25, 27-30 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and partSAMPLE:
Part of Your World“Any Broadway musical would be lucky to include a single number this good.” — Janet Maslin, in The New York Times on Alan Menken/Howard Ashman’s “Part of Your World,” from The Little Mermaid. Darryn King, “Alan Menken: The Man Who Relaunched Disney’s Fortunes with Songs,” The Sydney Morning Herald, 16 July, 2016. http://www.smh.com.au/good-weekend/alan-menken-the-man-who-relaunched-disneys-fortunes-with-hit-songs-20160714-gq5o6v.html. Accessed 16 July 2016.
Be a dreamer“Be a dreamer. If you don’t know how to dream, you’re dead.” – Jim Valvano, American basketball coach
Intensity of soundGo to more crosswords
What a difference an audience makesMozart was in Paris in 1778. He visited the duchess of Chabot, Elisabeth-Louise de la Rochefoucauld, wife of Louis-Antoine-Auguste de Rohan. Mozart described the visit in a letter to his father: A week went by without any reply, but she had informed me to see her in a week’s time, so kept my word and […]
Stravinsky on Verdi’s Rigoletto“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.
