When we create something, whether it’s a one-woman show, a video animation, a poem, a song, whatever—we’re taking what’s inside of us and stepping it out. Now it can be shown or heard. Now it can be experienced, transmitted. Now it can be shared.
Jeff Leisawitz, “How Creativity Heals Us and Why It’s a Gift to the World”, Tiny Buddha. https://tinybuddha.com/blog/how-creativity-heals-us-and-why-its-a-gift-to-the-world/, accessed 4 January 2021.
When it’s shared, parts of us that were once invisible, hidden, obscured, become known.
Perhaps you’ll get your fifteen minutes and become popular with the masses. More likely, it’ll be with your extended gang or just a few close people. And sometimes your creation will only be for yourself. Even if no one else checks out your work, it’ll still help you to see yourself. Become better known to yourself. Understand more deeply who you are.
Shedding light on what is invisible
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Dostoyevsky on beauty
“Beauty will save the world.” – The Idiot, Fyodor Dostoyevsky
Our modernized world needs music“Our modernized minds need to be musicalized. We have defied the intellect … and developed only half of man’s possibilities. There is no other human activity that asks for such a harmonious cooperation of “intellect” and “soul” as artistic creation, especially music.” Ernst Levy, Swiss composer, musicologist, pianist and conductor. Cited in: Kimball, K., Petersen, […]
Boyd Neel on Vaughan William’s Fantasia on a Theme of Thomas TallisBoyd Neel was the first conductor to record Vaughan William’s Fantasia on a Theme of Thomas Tallis in 1935. He wrote: I often feel that this wonderful work is perhaps the greatest of all achievements in string orchestral composition. Boyd Neel (1986) The Story of an Orchestra. London: Vox Mundi, p.22. Cited in: Holmes, John […]
Accessibility for kidsBenjamin Britten wrote the score to Instruments of the Orchestra, which would become the concert work, Young Persons Guide to the Orchestra. The theme to the score was based on a hornpipe from Purcell’s Abdelzer. Britten commented to the producer, Basil Wright, that “I was never really worried that it was too sophisticated for kids […]
Appreciating beautyMusic exists only in a passing of time, racing past us like the mid-nineenth-century trains Ruskin so hated. It is utterly non-fixed, and to focus on one moment is to destroy the whole. It is a forest that we have to pass through, not a single tree that we can contemplate or capture. But, if […]
Communication with the audienceIgor Stravinsky contemplates the ultimate goal of an artist versus reality: “Art postulates communion [between the artist and the audience], and the artist has an imperative need to make others share the joy which he experiences himself. But in spite of that need, he prefers to direct and frank opposition to apparent agreement which is […]
Stravinsky on Verdi’s Rigoletto“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.
An insight into the “Happy Birthday” tune“Happy Birthday to You” is not an accidental success. It is not a traditional song nor did it appear ex nihilo. It originated with the Hill sisters, Patty and Mildred, and was first sung in a kindergarten classroom in Louisville, Kentucky in the late 19th century, back when kindergarten was a social experiment. Patty Smith […]
Dmitri Shostakovich: Piano Trio No. 2, Op. 67I. Andante-Moderato II. Allegro non troppo III. Largo IV. Allegretto Having recently finished his Eighth Symphony, Shostakovich stated work on his second Piano Trio in late 1943: Chamber music demands of a composer the most impeccable technique and depth of thought. I don’t think I will be wrong if I say that composers sometimes hide […]
Sondheim on expressionMike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]