When we create something, whether it’s a one-woman show, a video animation, a poem, a song, whatever—we’re taking what’s inside of us and stepping it out. Now it can be shown or heard. Now it can be experienced, transmitted. Now it can be shared.
Jeff Leisawitz, “How Creativity Heals Us and Why It’s a Gift to the World”, Tiny Buddha. https://tinybuddha.com/blog/how-creativity-heals-us-and-why-its-a-gift-to-the-world/, accessed 4 January 2021.
When it’s shared, parts of us that were once invisible, hidden, obscured, become known.
Perhaps you’ll get your fifteen minutes and become popular with the masses. More likely, it’ll be with your extended gang or just a few close people. And sometimes your creation will only be for yourself. Even if no one else checks out your work, it’ll still help you to see yourself. Become better known to yourself. Understand more deeply who you are.
Shedding light on what is invisible
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The Precepts of the Lord give Joy to my Heart – Psalm 18 (19)
Title: The precepts of the Lord give joy to my heart Text: Psalm 18 (19): 8-11. R. c. Jn 6:68 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
The reach of art“Art — reaches out to one specific person (even and especially if that person is imaginary.” Todd Brison, “A Warning Letter to All Writers”, Medium, 25 August 2020, https://medium.com/better-marketing/a-warning-letter-to-all-writers-df00d53f8795, accessed 4 September 2020.
A carriage of flowers for TchaikovskyTchaikovsky’s favourite flower was lilies of the valley. The local musical society at Tiflis was extremely enthusiastic to have the presence of Tchaikovsky at a gala concert of his works at the Opera House: Ippolitov-Ivanov had thought of everything, even finding out by devious means what his favourite flower was. This flower did not grow […]
A young Josef HoffmannThe Polish pianist, Josef Hoffmann may have been a child prodigy. Upon hearing him play, Anton Rubinstein, who typically disliked child prodigies said told his manager, “This prodigy I believe in. Hear him!” (1) Yet in 1908, The Daily Graphic looked back on having seen the young pianist: When Joseph Hoffmann was an infant prodigy, […]
The AdventurerTitle: The Adventurer (Silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – The Adventurer (MP3 recording) BACKGROUND: FILM: Written by: Vincent Bryan, Charlie Chaplin & Maverick Terrell Starring: Charlie Chaplin, Edna Purviance, Eric Campbell Director: Charlie Chaplin Year of release: 1917 SAMPLES:
The influence of musicConductor Leopold writes: There are millions who find solace in music – it opens for them the sun-bathed gates of inspiration – through music they know that behind the sordid, grim surface of life there nevertheless exists an ideal and external Beauty. Music powerfully stimulates the growth in us of impulses we had never suspected […]
Sleeping Beauty Waltz (Tchaikovsky)Title: Sleeping Beauty Waltz Composer: Pytor Il’ich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Active listeningListening to music should always be an active process, and those who attend – pregnant verb – concerts, who listen, who respond, who treasure what they hear there, are musicians. They are the ones who do not let music wash over them like a bubble bath but who actively swim in the water. When vibrations […]
Gramophone: no substitute for live performanceBritish conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]
Maiky’s recording of Bach’s cello suites“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio and called Sarabande, he had a fence built around it with all the notes of the fifth sarabande crafted on the metalwork. He gleefully points out that the studio’s address is 720, his Montagnana cello […]
