StyleArrangements and orchestrationsGreg Smith’s experience as a composer and chamber musician means that he is comfortable scoring in a variety of styles and instrumental forces: – chamber (e.g., piano, cello and piano, string quartet) – choral – orchestra – wind orchestra Greg can arrange in a variety of styles, from classical to jazz. Contact Greg Smith ARRANGMENTS, […]
Bassoon and pianoForm your own interpretationI have often made the point in masterclasses that students should not listen to lots of recordings of a piece they are learning. I’m always a little horrified when I hear a student say, “My teacher told me to learn the Chopin G minor Ballade, so I went to the library and took out eight […]
The musical mosaic“Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.” Jean Sibelius, quoted by Jalmari Finne to Anna Sarlin, 28th June 1905. Cited at: www.sibelius.fi [accessed 31 Mar 2010].
You don’t need permission to createGus Fairbairn (aka Alabaster dePlume) on the success of his album, To Cy & Lee: I was not expecting that with this piece of work. I made them not thinking that anyone would want to listen to them. It all goes to show that no one will give you permission to make the great things […]
American Western Film Soundtracks“Morricone brought the electric guitar to the western. The great thing, though, about the electric guitar in the western is that there were no electric guitars, but somehow he did it so committedly that nobody ever questioned it. It was only much later people started to say, ‘How come there’s an electric guitar part there?’ […]
Rachmaninoff the examinerIn 1900, Rachmaninoff worked at the Yekaterininsky Girls’ Institute. One of his students recalled her experience of examination day: The lessens after luncheon seem an eternity – the examination is to begin at 4.I straighten the front bow of my apron, gather my music together, and run to the music room. The students to be […]
Stokowski and his audienceThe conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them. When they grew fidgety, he shamed them into attentiveness and concentration. “Please don’t do that,” he once admonished an audience of program shufflers. “We work hard all week to give […]
You can’t own the tuningThis account of a bizarre law suite on May 6 at Bow St. against the Associated Board of Musical Examinations appeared in the English journal The Musical Times (June 1932). The board was accused of obtaining money under false pretences: Mr. Lennox Atkins, F.R.C.O., asked on behalf of the Equal Temperament Committee for a process […]