“Learn the rules like a pro so you can break them like an artist.” Attributed to Pablo Picasso, painter

Benjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]

Title: A Light Rises in the Darkness Psalm 111 (112): 4-9 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part.

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You’re travelling to another dimension, a dimension not only of sight and sound… but of mind. A journey into a wondrous land, whose boundaries are only that of the imagination… you’re entering… the Twilight Zone… – Rod Serling, The Twilight Zone

Greg Sanders ponders the position of classical music and describes the need for it to catch up with culture, without simply “dumbing it down”: “Of course, I think that if we really understand current culture, we’ll want to go the other way, and make classical music smarter.” Greg Sanders, Arts Journal Blog, February 2, 2009. […]

Robert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know.  The opening theme came to me on a train between Oxford and London. But the initial idea is nothing.  The work of chiseling then begun.  We’ve gone past the days when the […]

“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.

Title: My God, my God, why have you abandoned me? Text: Psalm 21 (22): 8-9. 17-20. 23-24. R. v. 2 Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and part Sample:

“It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.” —Henri Frederic Amiel.  Swiss philosopher, poet & critic. H. F. Amiel, Amiel’s Journal, trans. H. Ward, London, Macmillan […]