To me it’s all about how you read and translate the music you play: the most important thing is to reach the point where you feel you understand what happened in the composer’s mind before he actually wrote it. Musical notation is a very sophisticated yet imperfect system; it was the only way for the […]

Brahms was invited to the family of one of his students, Fräulein von Meyensbug, in Detmol : The Meysenbug ladies proved very prim and conventional. Brahms was ill at ease. He was so afraid of shocking his aristocratic hostesses that he hardly knew what to say or how to behave. Their young nephew Carl, however, […]

“Inspiration is merely the reward for working every day!” – Charles Baudelaire (French poet).  According to Roland-Manuel, Ravel would often recite this phrase.  Source: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber, p. 143.

Burnett James describes how in the 1920s Ravel was preoccupied with decorating "Le Belvédère" [his house] and in laying out the garden with many small exotic plants and miniature Japanese trees. To see that house and garden today is to experience a feeling of direct contact with Ravel. He deliberately made it an accurate reflection […]

“Knowing is not enough; we must apply. Willing is not enough; we must do.” Johann Wolfgang von Goethe, German poet and philosopher Cited at: QuotationsBook

“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music… I get most joy in life out of music.” – Albert Einstein Cited in: Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: […]

You’re travelling to another dimension, a dimension not only of sight and sound… but of mind. A journey into a wondrous land, whose boundaries are only that of the imagination… you’re entering… the Twilight Zone… – Rod Serling, The Twilight Zone

It is virtuosity itself that I want to defend. It is the source of the picturesque in music, it gives the artist wings with whose help he escapes platitudes and the everyday. The conquered difficulty is in itself a beautiful thing. Theódphile Gautier, in Émaux et camées, considered this issue in immortal verses. . . […]

Title: Gymnopedies No. 1 Composer: Eric Satie Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:    

Pianist Artur Schnabel was asked at a public forum why his repertoire was so restricted: My answer is that now I am attracted only to music which I consider to be better than it can be performed.  Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a […]