Title: Abstraction XIII Composer: Greg Smith Performer: Greg Smith Product medium: MP3     Related products:     – Abstraction XIII (PDF score) Sample:

Fromont published Rêverie years after Debussy had given it to them. By this time, Debussy’s opinion of it had changed: “I regret very much your decision to publish Rêverie… I wrote it in a hurry years ago, purely for material considerations. It is a work of no consequence and I frankly consider it no good.” […]

After writing his opera Porgy and Bess, producers in Hollywood started to think that Gerswhin was turning “highbrow”.  George and Ira Gerswhin’s agent told Ira :”They think George is too highbrow.  Can’t he write a few words and explain to them?” George wired: “Rumours about highbrow music ridiculous.  Am out to write hits.” – George […]

An artist groping his way forward can open a secret door and never understand that this door hid an entire world. So it is that, if a man who passes for the father of a school, because he determined it, one day shrugs his shoulders and renounces it, that by no means discredits the school. […]

“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.

“When you put creativity into everything, everything becomes available to you.” – Robert Rodriguez, filmmaker Cited in: Nathalie Sejean, “30 Piece of Advice from Robert Rodriguez to Lead a Creative Life”, Mentorless, 4 September 2015, https://www.mentorless.com/2015/09/04/30-piece-of-advice-from-robert-rodriguez-to-lead-a-creative-life/, accessed 28 October 2020

Education & research services in the fields below are offered both: – online – face to face Skill areas: – Aural and harmony – Analysis – Music history – Piano tuition How can Emotemuse help you? – Tuition – Research and analysis Contact   THE CRAFT OF THE MUSICAL LANGUAGE Greg Smith completed a Bachelor […]

Leopold Stokowski conducted the American premier of Berg’s opera Wozzeck in 1930 (a joint effort of The Philadelphia Orchestra, the Phildelphia Grand Opera, and Curtis Institute).  Abram Chasins recalls a rehearsal: I attended his second rehearsal with the orchestra in the pit and singers on the stage.  After some twenty minutes of singing and acting, […]