Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

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Featured content

George Gershwin on American music
George Gershwin, a pioneer of the fusion of jazz, musical theater and classical idioms, wrote two essays on the significance of jazz for American music: THE great music of the past in other countries has always been built on folk-music. This is the strongest source of musical fecundity. America is no exception among the countries. […]
Motion and art
“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time […]
How not to get an audience
Satie’s ballet Relâche (1924) had trouble pulling a crowd: the title translates as “this performances is cancelled”. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.
A courteous conductor
Brucker was invited by Hans Richter to conduct one of his symphonies with the Vienna Society of Friends of Music. At the rehearsal he stood on the conductor’s platform, stick in hand, with a beatific smile on his face. The orchestra were all ready to begin, but he would not lift his stick to give […]
Du bist die Ruh (You are my Rest) (Schubert)
Title: Du bist die Ruh (You are my Rest) (Op. 59, No. 3) Composer: Franz Schubert Arranger: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part Sample:
Mozart the philosopher
On February 19 1786 Mozart attended a masked ball disguised as an Indian philosopher. He distributed pamplets with riddles. One of the riddles was: If you are poor but clever, arm yourself with patience, and work hard. If you do not become rich, you will at least remain clever. – If you are an ass […]
The development of keyboard technique
Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]
Liszt on the piano
In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which […]
Weeds
But weeds have this virtue: they are not easily discouraged; they never lose heart entirely; they die game. If they cannot have the best, they will take up with the poorest; if fortune is unkind to them today, they hope for better luck tomorrow; if they cannot lord it over a corn-hill, they will sit […]
Go for long walks
Rachmaninoff once urged Horowitz to go for long walks.  “If you don’t walk, your fingers will not run.” Abram Chasins, “The Return of Horowitz”, The Saturday Evening Post, October 22, 1966, p.102-3. Cited in: Gerig, Reginald (1974) Famous Pianists and Their Technique.  Washington: Robert V. Luce, p.307.